Spatial griots Andres L. Hernandez, Tonika Lewis Johnson and Roland Knowlden invite you to
consider how socio-economic and geographic oppressions impact the way we see (or don’t
see) our environments. Hernandez uncovers embedded histories and systems of power within
built and speculative landscapes to imagine these spaces otherwise. Social justice artist Lewis
Johnson advocates for urban communities by documenting the disparities among Chicago
residents who live on opposite ends of the same streets across the city’s racial and economic
divides. Knowlden critically deconstructs the elements of our urban fabric and its architectural
histories to reassemble them as cartographic abstractions and imagined landscapes.
Gwendolyn Brooks, a brilliant author, poet, and life-long resident of the historic neighborhood
of Bronzeville, becomes the Mecca of these stories as this exhibition interrogates dilapidation,
buried histories, and what it could mean to be Black in space.
Architecture is an ever-present form of storytelling. The architectural historiographies of Black
space have often been written by poets who have elegantly told our stories of spatiality. Brooks
gave us a voice we didn’t know we needed while underlining the importance of Black
interiority.